audio technica at4040 vs at2020

I will use the mic i buy onley for rap vocals. All rights reserved. However you can change your cookie settings at any time. Above 4kHz there are a couple of significant peaks in the response, centred roughly at 6.5 and 11kHz, reaching about 5dB at their maxima. They already have a number of low-end models that perform quite well, so a more expensive AT4040 set our expectations on high. With the pad on, it can record even the loudest sounds with minimum distortion. Choosing A USB Microphone | Audio Examples. Understanding different microphone polar patterns. The published frequency response suggests that the mic is extremely flat between about 20Hz and 4kHz. The bare mic seemed relatively sensitive to handling noise, so I was pleased that a decent shockmount is bundled with it at no extra cost. For the best experience on our site, be sure to turn on Javascript in your browser. With this model, you get a 5-year manufacturer warranty from Audio-Technica, so it’s certainly meant to serve for a long time. It also produced a first-class sound for grand piano, although it took me some time to find the best suitable position. Thus, these features have made the AT2020 mic a professional studio … With low noise, a wide dynamic range and a healthy output, this large-diaphragm microphone sounds detailed, fast and smooth, and compares very favourably with its competition. The polar response is much as would be expected for a large-diaphragm mic, in that it tends towards a hypercardioid pattern with increasing frequency, growing a distinct rear lobe. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Mastering Essentials Part 3 - How loud should I master? The published polar response shows a very tidy, classic cardioid response, but at only a single frequency, of 1kHz. You may use it for drums with an overhead placement too for a mind-blowing experience, but this would be a costly solution! Helpful. Despite this tiny little nuance, I’m very happy with the sound, and I did use it for vocals a lot. I found the AT4040 worked well when used to close-mic a grand piano, providing good weight and excellent transient detail. The left switch activates a first-order, high-pass filter turning over at 80Hz, while the one on the right introduces a 10dB pre-attenuator. I'm making a point of presenting this lineage because the latest addition to the group, the AT4040 SM (launched at the Munich AES Convention earlier this year) sits halfway between the 4047 and 4033 models in terms of both technology and price. This means, you will only need a slight EQ tuning (which you’ll do anyway) to get that perfect sound response. However, with AT4040 this is almost unnoticeable and that I cannot say about other LDCs. The front of the mic is denoted by an AT logo, while at the base of the body, around at the back and almost flush with the surface, are a pair of white plastic slide switches. It is a large diaphragm, condenser mic with a cardioid pick-up pattern and a smooth, uncolored sound. Like many other condenser microphones, it comes with two standard controls: a minus dB pad to reduce sensitivity, and a low frequency roll-off. The AT4040 side-address condenser microphone features an advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. Reviewed in the United Kingdom on 28 February 2020. The AT seemed to emphasise mechanical noises more than the Neumann on occasion. All you need to know about wireless microphones. The physical design of the AT4040 SM is shared with the other 40-series models, although it is the lightest of the bunch, at just 360g (thanks, mainly, to its output transformer). Indeed, the specifications boast a 145dB maximum SPL (for one percent distortion) and a dynamic range of 133dB. A blend of technical precision and artistic inspiration, the AT4040 large-diaphragm side-address studio condenser offers exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility. The frequency response is fine, though it has a slight bulge peaking at around 6.5k, which may result to accentuation of “s” sounds aka sibilance. This characteristic is predictable and can be used to advantage when close-miking sound sources, by making small changes of angle to alter the sound quality. A specification of maximum SPL is 155 dB, which is probably just enough to handle a shotgun burst or a jet take-off.

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