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I don't measure anything but I do enjoy a matching bridge radius and fretboard radius. } catch(e) {}, try { It's a cost cutting measure. I set up a lot of guitars for people and if they don’t have specific requests, I always set the strings on the bass side gradually slightly higher than on the treble side. Fender. Fender Parallel Universe Troublemaker Telecaster: A leaf from the Les Paul playbook, Fender Parallel Universe – 2018 Tele Thinline Super Deluxe limited edition. _g1.classList.remove('lazyload'); Interesting. They feel very evenly set up. So you're saying for all those years everyone was just clueless about what radius a bridge should be? The bound bolt-on mahogany neck has the standard Fender 25.5″ scale length, and an ebony fingerboard with a 12” radius, 22 medium jumbo frets, and pearloid inlays. It allows for optimum balance between the nut, the bridge and the truss rod adjustment. I guess you would have to do that to enjoy the benefits of the matched radii? String spread is the distance between the centers of the outer strings on a bridge or tailpiece.. Saddle radius determines the arc formed by all the individual saddle heights, and is similar to the measurement of a fretboard.. Stud/post spacing is the distance between the centers of the mounting posts of a bridge or 'stop' tailpiece. _g1 = document.getElementById('g1-logo-mobile-inverted-source'); The “Modern C”-shaped neck has a 9.5”-radius maple fingerboard with 21 medium-jumbo frets for modern playing feel. New Pickups with Fatter Tone and More Output, Adjusto-Matic™; Bridge, Medium Jumbo Frets, New Neck Pocket Cut Provides Better Pitch, 9.5" Radius, Trem Plate Moved Closer to Bridge to Increase Break Angle and Sustain, Screw-In Tremolo Arm, Black Plastic Knobs and Switches Both my Teles: neck 7.25”, radius at bridge between 10”-12”. _g1.setAttribute('srcset', _g1.getAttribute('data-srcset')); If I set the bridge in parallel or raise the bass side slightly higher depends on the guitar and string choice and what is needed for an ultra low action without buzzing. If the strings were lying flat on the frets a matched radius would be perfect. I adjust the bridge height as low as it will go until it starts buzzing and then I raise it just enough until it's buzz free on all the strings. - BuddyHollywood <. And I think more people use a flatter radius at the bridge than realize it. To me with all of the information available today it's an instrument maker not paying attention to details. But the strings are higher than the fretboard which makes it a larger radius. I envy those for whom the radius mismatch doesn't matter. So for me a matched radius wouldn't work. They no idea what they were doing, or never put any thought into it? Fender Parallel Universe Jazz-Tele: Love it or hate it? Dan Erlewine recommands also a flatter bridge, e.g. The next most common fingerboard radius, 7.25” (184mm), is a vintage-era spec now used on just under a third of Fender electric instruments. And the strings are always going gradually higher towards the bass side. Conclusion: Cost reduction, nothing else ... mass produced 12" bridges, in many cases cheap China crap, like the stock TOM on my Panther. I seem to always want to challenge the 12/9.5 set-up, with the opportunity for buzz usually on the 3rd string somewhere a third to half way up the board, depending on how truss rod relief plays out. Most guitar makers specify the sixth string just a little higher than the first string, but when doing setups for others you find that many people prefer their first string higher than the sixth, for some of the reasons already mentioned here. Boss to reissue HM-2 as a Waza Craft pedal - but not just yet... Holiday Season Raffle Part 1: Win Mackie MC-450 headphones worth €299. Except, that once it's buzz free, I raise it just a touch again to allow for a bit more dynamic range (clean headroom) for heavier picking. Fender’s Parallel Universe Series line wraps up 2020 with the launch of the Troublemaker Tele Deluxe Bigsby, an unusual but sharp looking axe for the guitarist looking for their own identity. I radiused the saddles on my TOM to about 10.5" on my 9.5 radius SSLVO. } On all my electric steel strings, I have the bass set higher than the treble. try { The 3-way pickup toggle switch makes it easy to switch between neck, bridge or both pickups. I have the same opinion as TimThom above, so radius match for me is a must have. _g1 = document.getElementById('g1-logo-inverted-img'); A matched radius would be slightly larger at the bridge! 59 LP junior: neck 9.5”, bridge 12”. But it's also based on personal preference. if ( localStorage.getItem(skinItemId ) ) { _g1.setAttribute('src', _g1.getAttribute('data-src') ); Maybe more players were like that before. Otherwise your D and G strings would buzz or choke out on bends. For myself, I've always set my first and sixth strings the same height from the 12th fret and my preferred setup is fairly low. Watch the full walk-through of the Troublemaker Tele Deluxe below: Other guitars launched earlier this year in the Parallel Universe Volume II Series include: Street price: Fender Troublemaker Custom w/ Bigsby ($2,499.99), Fender link: https://shop.fender.com/en-US/electric-guitars/other/parallel-universe-volume-ii-troublemaker-tele-deluxe-bigsby/0176721706.html, Fender’s New Troublemaker Tele Deluxe Is One Unique, Sharp Looking Guitar, Watch Black Pumas Launch Fender And Brixton’s New Headwear Line, BOSS Announces Nextone Special Guitar Amplifier, Industry Contact Database (Pro/Master Only), Lyric Critique Walkthroughs (Pro/Master Only), https://shop.fender.com/en-US/electric-guitars/other/parallel-universe-volume-ii-troublemaker-tele-deluxe-bigsby/0176721706.html, Happy Thanksgiving Song, Part 3: “Thanksgiving Prayer” by Johnny Cash, Happy Thanksgiving Song, Part 2: “Thanksgiving” by Loudon Wainwright III, Happy Thanksgiving Song, Part 1: “Alice’s Restaurant” by Arlo Guthrie, All Known Aliases Shapeshifts to Deal with Grief, Sam DeRosa Offers a Track-by-Track Breakdown of ‘The Medicine’, BENEE’s Big Year — a Debut Album and a Record Label of Her Own, Fair Play Act Introduced To Address Musician And Label Compensation, Future of Music Coalition Backs New Rules for an Open Internet.

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